At Long Last, She Wrote "The End"

A woman wearing books for clothing.

G. Spratt, The Circulating Library, c. 1830. Rijkmuseum

Actually, I never write “The End” at the end of my manuscripts. When the words stop, that seems to be a big enough clue.

So I didn’t write it this time, either, but all who have been wondering when in blazes I’d ever finish the Blackwoods’ story now have the answer. Thursday 11 January. About 10:30pm. It’s now in my editor’s hands. After she reads it, she will return it to me with questions and notes and such, and I will make the necessary revisions. That is to say, if she doesn’t decide it’s beyond hope and gently suggests I find another profession.

If, however, she is able to work with it, and I can make it better for her (actually, for you), it will then be turned over to the copy editor, who’ll go through it, looking for inconsistencies and grammatical insanities and oddities. Meanwhile he/she will be putting in the hieroglyphs that the printers understand for formatting. Then it’s my turn again, to review what the copy editor hath wrought, and add or subtract my own things. It’s my last chance to make any significant changes.

Then it goes to the printer and gets made to look like a book, but not the final book, because I get to go over it once more, looking for errors that somehow the ten thousand people who’ve gone over this thing have missed. And of course, no matter what, no matter how many people check and re-check, it will go out into the world with a mistake or two. There are always sneaky little devils that manage to hide from all those probing eyes. Ask any author. There’s even an Internet meme about it.

All of which is to say, it’ll be a while before the book is in fact a book you can buy in a shop or online. However, when I have a publication date, I’ll let you know. Or you’ll be able to tell by the screaming and laughing and crying, which you will hear over great distances. My neighbors will see me dancing in the street, champagne glass aloft.

It’s been a long journey. Thank you for waiting so patiently.




A (Temporary) Writing Retreat from Social Media

Now that the third Difficult Dukes book is finally cooperating, I’d like to stay focused on it, and get it done as soon as possible. It’s been an awfully long time between books.

Social media is an enormous distraction. This is why I’m stepping away for a while from Facebook and Instagram.

This won’t be a complete disappearing act. You’ll continue to receive notices of deals and events (appearances, Zoom chats, etc.), but I’ll rely on my talented assistant Jessica to post and to monitor comments while I stay in my writer’s cave with my characters.

Your best bet for keeping up with appearances (online and in person), historical news, book bargains, and that sort of thing is to sign up for my website blog, if you haven’t already. For those who’ve arrived here via a link on FB or IG or one of your friends—yes, this is the blog I’m talking about.

On my website you’ll find the sign-up link conveniently located on every page, in a blue box. Posts appear at random.They will not flood your inbox. I try to keep them short and I post only when there’s actual news of some kind or a nerdy history tidbit I can’t resist sharing.

Now, back to the book.

Image credit: Young woman with wax tablets and stylus (so-called "Sappho"), Naples National Archaeological Museum. Photo by Carole Raddato. Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)

Update on Difficult Dukes #3, the Blackwoods' story

Portrait of the writer Lady Morgan aka Sydney Owenson

René Théodore Berthon, Portrait of Lady Morgan (Sydney Owenson) (1776-1859), Writer, circa 1818. National Gallery of Ireland

I’ve received a great many enquiries about the third Difficult Dukes book. With good reason. It’s been more than two years since the second book, Ten Things I Hate About the Duke, was released.

Simply put, the problem was writer's block. I continued to write, but nothing I wrote made sense or went anywhere. Scenes that didn’t work or lead to anything. Scenes that didn’t fit the characters. Ghastly prose. Boring dialogue. I couldn’t make a plot. The characters refused to talk to each other, and as for me, the Author—I was persona non grata as far as they were concerned. No cooperation from Alice and Blackwood. None whatsoever.

I took some time off. That didn’t work. So I simply kept writing, believing that eventually, the block would start to break down. And finally, late last year, I began to see cracks in the wall. But please be aware that the block hasn’t completely disintegrated. No miraculous cure, after which the story came pouring out. Oh, I wish. But it is coming, and the characters don’t hate me quite so much as they did, and writing is no longer the frustrating, deeply unpleasant experience it was for a long time.

Picture of forget-me-not flowers

Mary Vaux Walcott, Moss Forget-me-not (Eritichum elongatum), 1915, watercolor on paper, Smithsonian American Art Museum

I can’t predict when it will be done. My deadline flew by ages ago. There is some small comfort in knowing I’m not the only author who encountered difficulties during the pandemic. On the other hand, I’m sorry that anybody else went through this. But we are recovering. I am recovering. The book will get done, this year, I truly hope.

Again, I thank you for your patience and understanding.

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